7 DAYS OF 7 DIMENSIONS

DAY 1: FLEXIBILITY

THE FIRST DIMENSION

Day 1 introduced us to the first of seven vocal dimensions! Below is a summary of what Richard and Lyell explored during the lesson, along with additional anatomy details and downloadable MP3s for your personal practice.

 

What is Flexibility? Flexibility refers to the ability and responsiveness of the vocal folds to stretch and vibrate.

Improving Flexibility is important because it will help you:

  • Minimize general fatigue
  • Increase vocal agility to change pitches quickly and smoothly
  • Develop a more consistent and reliable voice throughout your vocal range

ANATOMY OF FLEXIBILITY

Vocal flexibility is dependent on the responsiveness of two key components in the vocal mechanism. First is the thyroarytenoid muscles, located inside the larynx. They play a pivotal role in positioning and relaxing the vocal folds in order to remain responsive and elastic. Second, is the vocal folds, made up of five layers: (1) Vocalis – innermost layer, which stiffens the folds, and adjusts their length, mass, and position. (2-4) Lamina Propria – These layers store water in the form of hyaluronic acid, keeping the folds lubricated, and they collectively vibrate against the airflow coming up from the lungs, creating different frequencies and qualities of sound. Sometimes referred to as a single layer, they can be broken down into three: the deep, the intermediate, and the superficial. These layers collectively vibrate against the airflow coming up from the lungs, creating different frequencies and qualities of sound, which also store water in the form of hyaluronic acid, keeping the folds lubricated. (5) Epithelium – thin, outermost layer, protecting the more sensitive layers underneath and also providing a smooth surface for air to vibrate against.

The Importance of Water: The three middle (LP) layers are essential to the functionality of the vocal folds and their ability to vibrate. Keeping them hydrated will prevent friction and heat, which cause them to swell and stiffen. A lack of hydration can cause the voice to fatigue quickly and/or become hoarse.

VOCAL EXERCISE

Let’s explore the featured exercise from Day 1 with Lyell. To start with, it’s important to take a moment to recognize the components of an exercise to help improve your practice and get better results!

Formant: M  |  Feature: M  |  Pattern: 12345-0  |  Volume: Quiet  |  Tempo: Mid  |  Variable: Vocal Fry

Next, we need to practice!! Play (and download) the MP3 below to vocalize the same exercise Richard and Lyell worked on. A few tips to remember when practicing is to aim for a clear tone, stay at a quiet volume, and always let go of the sound if you feel any signs of stress or discomfort.

CUSTOMIZE

Adapting an exercise to address your voice and current skills on any given day is crucial for continuous growth! If you found the exercise too challenging and are not able to get positive-sounding results at least 50% of the time, it’s best to modify the exercise and build it back up. If, on the other hand, you were able to work through the exercises relatively comfortably and resulted in a quality sound every time throughout your range, it’s time to take it up a notch!

  • Make it easier: Change the “E” formant to an “M” sound. This will provide a higher degree of back pressure (making it easy for the folds to stretch), keeping the focus of the exercise on track for Flexibility.
  • Make it harder: Remove the “M” feature and change the “E” formant to an “Oo” sound. This will reduce the amount of backpressure, while still targeting the dimension of Flexibility. In addition, you can replace the lyrics of a melody with a legato “M” or “Oo” formant.

Alternative Patterns: Connect the octaves in the pattern below by sliding from the lower note, up to the higher note, and back down again. Be sure to keep a quiet volume with a closed formant (such as an M, Oo, or Liptrill).

WHAT'S NEXT

We can’t wait to share an exclusive offer with you at the end of this “7 Days of 7 Dimensions” event!! Be sure to come back tomorrow for Day 2 to explore the dimension of Breathing.

 

Keep Singing,
Richard